A collection of documentary and reportage works developed through long-term research and fieldwork. Each project explores social and human realities through photography, combining visual storytelling and critical inquiry.
Southern Italian Religious Rites (2005–2010)
An anthropological documentary exploring religious processions and devotional practices in southern Italy, focusing on the persistence of Christian rituals within local communities in Campania.
The project documents traditional processions dedicated to the Virgin Mary and local saints, capturing moments of collective faith and ritual intensity.
Through these images, religious devotion emerges as a lived experience, shaped by gesture, body, and shared memory.
The work reflects on how these rituals continue to define identity, belonging, and spiritual continuity in southern Italian villages.
A photographic series that reimagines the fairground through a chromatically desaturated visual language, overturning its traditional association with joy and collective entertainment.
Suspended Amusement (2011)
The fairground appears as a suspended space, where silence and stillness replace movement and noise.
Figures and structures emerge as fragments of solitude, revealing themes of isolation, vulnerability, and quiet tension.
The series opens gaps in time, transforming familiar places into uncanny landscapes charged with ambiguity and unease.
Cesine Center of Migrants (2011)
A reportage examining everyday life inside and around a refugee gathering centre in southern Italy, challenging simplified and stereotypical representations of migration.
The project follows migrants hosted at the Cesine Centre, a former agritourism adapted to accommodate people from different African regions.
Daily routines unfold between shared work inside the centre and moments of autonomy in the surrounding towns.
The series reflects on dignity, coexistence, and integration within a temporary and improvised living space.
A documentary project portraying the lives of people displaced by the 2009 earthquake in L’Aquila and surrounding villages, focusing on survival and everyday resilience.
L’Aquila Earthquake (2009)
The work documents the temporary camp set up in Piazza d’Armi, where evacuated families sought shelter after the disaster.
Within the fragility of the camp, moments of struggle coexist with gestures of care, solidarity, and shared humanity.
The series reflects on the attempt to rebuild a sense of normality and dignity in the aftermath of collective trauma.
Northern Ports (2015–2024)
A long-term photographic project exploring northern European and English ports through a subjective street photography approach.
Ports emerge as liminal spaces where sea and land meet, fostering movement, encounter, and wanderlust.
Human and animal presence intertwine within industrial and tourist landscapes shaped by transit and waiting.
The series observes these environments with a poetic and graphic gaze, unfolding along promenades in Copenhagen, Helsinki, Stockholm, and Morecambe.
A documentary project exploring the complex and often contradictory relationship between humans and animals in southern Italy.
M-Anim-al (2009–2010)
The work reflects on ancient symbolic and spiritual meanings attributed to animals, rooted in myth and cultural memory.
These perspectives are contrasted with contemporary practices shaped by exploitation and utilitarian needs.
Through opposing scenes of care and abuse, the series reveals enduring tensions in how humans relate to animal life.
The Julian-Dalmatian Question. A Denied Truth
A documentary project reconstructing the historical trauma of the Julian-Dalmatian population, an Italian ethnic minority affected by violence, persecution, and forced displacement during and after the Second World War.
The work examines the violence that followed the fall of Fascism in 1943, including executions, deportations, and political repression.
Through historical traces and collective memory, the project reflects on practices of terror such as the foibe and the deportation to communist labour camps.
The series also addresses the post-war exodus and the precarious living conditions of refugees in Italy, highlighting a chapter of history long marginalised and silenced.
A long-term personal project centred on El Camino de Santiago, exploring pilgrimage as a contemporary space of spiritual search and self-reconnection.
My Way (2006–2026)
The work reflects on the historical and symbolic roots of the Way of St. James, beyond religious belief.
The journey unfolds through slow movement and repetition, experienced on foot across changing landscapes.
Through a lyrical and graphic visual language, the series traces an intimate process of introspection and rediscovery.